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My Writing Process- Blog Hop!

Okay, I’m a little behind because everything’s been going mental with the book release, and the Christmas Novel I’m working on, but here is a Blog Hop I’m taking part in! You should check out Henriette Gyland’s Blog to see where it’s come from, this post is travelling about! It’s reached most of the authors I know, so I’m putting the call out to YOU dear readers, do you want to join this blog hop?

 

What Am I Working On?

Until a few weeks ago, I was working on my second novel for Carina, another sarcastic snarky chick lit called The Young and Bitter Club. I’ve since put that on hold to work on a Christmas novel which will be released in November. It’s called Without You To Hold, and involves a young woman who ran away from home at 17 when she got pregnant, returning to her home town ten years later, dealing with her family, her first love and having them all meet her precocious (and excellent) daughter. It’s heartfelt and I love it.

How does my work differ from others of its genre?

Well, that’s difficult. It’s very sarcastic, usually very London based, or at least urban. I feel like my work really explores what it’s like to be a twenty something these days, and that it’s not always easy, it isn’t always fixed by the perfect prince in a white ferrari, but it’s made easier with hilarious friends and cheap wine.

Why do I write what I do?

I technically was trained to write Literary Fiction, that’s all my university was interested in, and I do still have a few of those ideas in the pipeline, waiting. I wrote my first women’s fictional novel as a break after writing something heavy. It didn’t feel difficult, it felt freeing and fun. And now i get to do it again!

How does my writing process work?

I used to have a really complex process, but now I just gradually work my way into writing by doing some blog posts etc in the morning, then by afternoon I’m ready to get down to it. I usually write down all the fragments in a book and then type them up in order and flesh them out, but that can get a little difficult when you’re playing with timelines!

 

Don’t forget to check out my novel The Last Word if you want to see what I’ve produced through this process. And stay tuned for the Christmas Book!

 

 

 

 

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Blog Hop…’My Writing Process’

 

Thanks to Aurelia B Rowl for nominating me to take part in the My Writing Process blog tour! I’m following up from Aurelia’s brilliant post from last week, which you can see here.

Okay, here goes:

 

What Am I Working On?

I’m currently working on my next novel for Carina UK. It’s a snarky romantic comedy, focused around a woman named Tigerlily James (I love my strange names!) and how she deals with how static her life is. She and her friends have The Misery Dinner once a month where they moan about their lives, but she’s tired of being miserable. Cue love interest, the return of strange friends, terrible exes and lots of shenanigans and navel gazing. At the moment the working title is The Young and Bitter Club, but it might be changing to Unstuck.

 

 

How Does My Work Differ from Others of its Genre?

 

Well, I’m trying to make sure it’s not just a romance story. I like there to be a journey of discovery, something positive in the female characters that comes from them and not their love interest. It has to be about the timing, and realisations, and love, all coming together to move them forward. I find that really inspiring in the work of Sarra Manning and Mhairi Mcfarlane, where it’s not just chick lit, it’s an emotional realisation in the mind of the character.

 

 

Why Do I Write What I Do?

 

Well, the first book I wrote was a coming of age drama, and the novel I was working on before I got the call from the publisher was literary fiction. So I’m not going to limit myself to one genre. I’ve also got a few YA novels and a kids book up my sleeve. But at the moment, I love writing chick lit. It’s fun, less taxing, and you get to design the dream love interest and make other people fall in love with them. It’s pretty much like day-dreaming, at least until the hard work of actually writing the thing comes into action. I’d never really visualised myself writing romance, if anything, my first novel was described as ‘a romance trying to be an anti-romance’. I don’t like fluff, I like attraction, and sarcastic comments, attraction and wit. Some handsome guy turning up with roses is not a romantic hero for me. So getting to play with that is pretty cool.

 

 

How Does My Writing Process Work?

 

Well, I start with the idea, which changes over and over again. Last week, over the course of two days I changed the names of three characters, the visuals of the love interest, the back story, and a whole bunch of other stuff! And once that happens, it starts to click. I write fragments in my notebook, and I’m now onto typing up fragments on my laptop. Nothing in order, nothing necessarily structured or even important, I’m just exploring. When I’ve got enough, I’ll print them out, arrange them, look for what I’m missing, and start typing it all up in order, adding in as I go. 

When I first start, I’m writing to discover, which is why things change. I’m allowing for adaptations, realisations, character development.  Then comes the typing up, changing, and about five rounds of editing! 

All of that seems so far off right now! But I’m chugging away at it so it’s ready for deadline on the 1st May. Terrifying.

 

Next Week: The Blog Hop moves on to two brilliant writers and creatives:

 

Louise Davidson 

 

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Louise Davidson is a writer, free-lance script-reader, dramaturg and PR executive. She graduated from the University of East Anglia and has worked in theatre for the last four years, doing everything from directing to ushering. She has acted as Assistant to the Director on shows such as Uncle Vanya at the Lyric Theatre and Land of Giants as part of the Cultural Olympiad and is a script-reader for Tinderbox Theatre Co. and Accidental Theatre Co. For the last year, Louise has worked in PR, specialising in Arts Marketing and PR. She has written two plays, various flash fiction, and is currently working on a novel.

 Check out her entry here 

 

 

 

 

 

 

 

 

 

 

Annie Harris

 

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Annie is a 23-year-old actress, theatre producer and blogger living in North London.
 
After graduating from the London College of Music in 2011 with a degree in Musical Theatre, Annie networked her way through the scary, bustling city that is London with a tummy full of caffeine and a backpack full of business cards.
 
Recently, she’s written articles for [Miro Magazine](www.miromagazine.co.uk) and [Youth Arts Online](www.youthartsonline.org), been featured as an incredibly dumpy and spoilt young woman in Kenneth Branagh’s adaptation of the classic Walt Disney film, Cinderella, and has recently dipped her toe into the world of vlogging by becoming a [Youtube Partner](www.youtube.com/missannieharris). 
 
When she’s not busy poking her nose into other people’s lives, you can find Annie tending to her fast-wilting coriander plant, fantasising about taking up pole dance classes, or singing 80’s power ballads in the shower.
 
You can find Annie on Twitter [here](www.twitter.com/ubermagee).
 

 

 

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Finding your Writerly Processes

Finding Your Process

In our writing classes this week, the inevitable discussion concerning how you write came up. People have been wondering about the ‘right way to write’ since people started writing. Hundreds of books have been sold telling you the ‘right way’ to do it. And I suppose even weighing in on this process means I’m telling you what to do.

I think whatever works for you is the right way. The only downside is that there’s a line between establishing a process that gets you in the right mindset, and setting up unnecessary barriers that encourage procrastination and doubt.

 

Writing because you HAVE TO

This doesn’t mean working to a deadline (although that works for some) but writing because you absolutely can’t not write at this very moment. This poem ‘So you want to be a writer’ from Charles Bukowski sums up his way of thinking about it.

I agree to an extent, about not writing for fame or congratulation or love. But at a certain point, we have to work hard at it, correct it and edit it. There should be a level of work at creating something brilliant. Charles Bukowski also had ‘Don’t Try’ written on his gravestone, so to be honest, there are moments when we disagree.

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I’ve reached the point where I trust my own brain to know when it has to write. Sometimes, I’ll be sitting and just have to do it. But often if we don’t give ourselves the time or space to daydream and pick up a pen, we’ll miss the window.

 

The Beauty of Process

There’s a reason that people associate writers will coffee. Mainly because it makes your brain work when it doesn’t want to, but also because there’s a process behind getting a cup of coffee. Whether it’s clearing your desk, making a caffetiere, walking to your local spot, or setting out your favourite cup and saucer for tea, there’s something to be said for creating a ‘ready to write’ process. If you do the same routine for weeks before writing, eventually your brain will see the pink floral tea cup and go ‘okay, better get writing then.’ You’re creating a precedent. Also, associating writing time with ‘you time’, making it enjoyable and comfortable means you’re more likely to actually do it, instead of writing blogs about how to do it for other people, like I’m doing now.

 

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Sacred Space

A lot of people are into this one. As above, if you associate a place with writing, that’s great and you’ll feel secure and comfortable. But what happens if you go on holiday? What if you do a residency or a writers’ retreat? What if you see something spectacular abroad and want to write, but don’t feel comfortable? Just as we must set up processes, we must also push ourselves to the edge of being awkward and unsure. We live in a digital age where everything is expected to be possible anywhere. The writer, with a pen and notebook always in bag, has had this advantage before anyone else.

Find your sacred space, but use is sparingly. Try writing in a coffee shop or a park, describe the people around you, absorb an atmosphere. Perhaps there’s a use for it.

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What are you writing when you’re writing?

The different processes will change if you are working on one specific project, or are still looking for inspiration or splitting your time between projects. In which case, if you’ve been working on a novel for a year, and all your notes and charts and character details are at your desk, stick with it. I completely understand after a long time setting up a process that it feels your characters live in that room and can’t explore outside until completion. But if you do find yourself lagging, changing it up is always a good option. If you’re working on smaller projects, there’s no reason you can’t carry your writer’s room in your head (or your pocket). Often working from home can be seen as ‘I’m available for you to talk to’ or as if you’ve got a day off. It’s worth escaping that environment when possible, putting yourself in a situation where you have to be up, dressed and out the house encourages productivity and energy. (I also find it’s better for my biscuit tin).

 

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Ignore Other People (Yes, me too)

If something works for you, then it’s working. Don’t fix it. If you want to work more regularly, then perhaps you can employ some of these ideas. If you enjoy waking up at midday to write until 6am, then go do it! If you enjoy setting aside an hour a day with a cup of tea to revisit your stories, then do so! Writers are naturally competitive people when put together, and as supportive as your fellow creatives can be, we try to believe that our way is the right way. I was convinced as a writing student that because I wasn’t writing all hours, listening to free jazz and wandering wide-eyed into the night looking for characters, that I was probably a fraud. Here is the truth of the matter: a writer writes. If you are writing and you are committed to it, then you are a writer.

 

More Scribble, less Drivel

 

I’m personally trying to adopt the theory that how much you talk about your work should be proportional to how much you actually do. There should only be ten percent ‘talking about it’ and ninety percent ‘doing it’. Mainly because no-one cares. I say this as someone who is extremely nosey and wants to help people with their creative endeavours. But if you’re talking about what your minor character-who-only-appears-in-chapter-forty ‘s family history and how it relates to nordic folklore…honestly, no-one cares about the book you haven’t written yet. Mainly because if you’ve got the energy to be explaining it to strangers, you’ve got the energy to be getting on with it. Keep your story yours, until it’s ready to be unveiled.  It’s like being friends with a pregnant woman. Are you excited for her? Yes, it’s amazing. But do you want to be inundated with ultrasound pictures and baby name possibilities and all this stuff for something that isn’t even here yet? People will invest in your story (or your baby) when they arrive to speak (or be cute) for themselves. You should be creating a story that people will love because it’s good, not just because it’s yours.

 

 

So, I hope that helped those of you searching for your writerly identities. You can put down that ancient ceremonial vase and jumping around on one foot in an anti-clockwise direction now. Put down the bongo drums and throw away the roll neck jumpers. You can be who you are, and do what you do, and as long as you actually write, you are a writer. Whether you write at a desk, on your bed, in a coffee shop. Whether you type or write in expensive moleskines or scrappy pieces of paper. As long as you write, it’s working. So get going.