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Words With Edge Festival!

Litfest poster

 

It’s finally happening!

At: Red Door Studios, Masterman Road (rear of 120 high street south) East Ham, E63RW

Sat 24th: Opening, feat Newham Music Hub, Poetry Society’s Slambassadors (Rhythm of Men, Megan Beech, Naga MC) and Dizraeli. 7pm Free entry

Sat 25th/Sun 26th: 11am-5pm  Workshops, performances from Early Doors Collective, Myths of the Near Future, Four Thirty Three Magazine, Hollie Mcnish (performance and poetry workshop), Arachne Press, Stairwell Books, Atlantic Books, Kids storytelling with Clare Murphy, Writing for wellness with Me! Scriptwriting, both beginners and people who want feedback, with Louise Davidson.

Tues 28th- Literary Pub Quiz, £3 entry, 7pm start

Weds 29th – Cake Club. Theme: stories. Bake about stories! Free entry if you bring cake, £2 entry if you just want to eat!

Thurs 30th- Theatre ThursdayThe Woodhouse Players perform The Book Club of Little Whitterington and Joz Norris in his one-man comedy ‘Awkward Prophet’free entry!

Fri 31st- Open mic from local authors and artists, followed by End of Festival (and end of my residency!) party! All welcome! Free! 7pm

 

For more info:

facebook.com/wordswithedge

@wordswithedge

 

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Words With Edge Fest

So, as my residency at Red Door Studios draws to a close, I have one BIG project left: Words With Edge Literary Festival. (See our excellent Poster designed by Lauren Stone at the bottom.)

So, what is Words With Edge? Simply, it’s a lit fest without the pretension. You don’t have to be a writer, you don’t have to be a reader, you just have to be open to experiencing new things! And we’ve got some brilliant stuff:

  • Dizraeli
  • Hollie Mcnish (workshop AND performance!)
  • Slambassadors
  • Clare Murphy
  • Workshops by Steven Sparling, Louise Davidson and myself, varying from how to market as an artist, scriptwriting, and writing for wellness. Plus Steven will be using his talents as a voice specialist to show you how to SPEAK UP! What’s a writer if they can’t read it out?!
  • Joz Norris’ excellent Edinburgh Fringe Show ‘Awkward Prophet’
  • Carmina Masoliver
  • The Roundhouse graduated Early Doors Collective
  • Myths of the Near Future
  • 4’33’ Magazine
  • Talks and stalls by Atlantic Books, Stairwell Books and many more!
  • A short play by The Woodhouse Players
  • A Literary Themed Red Doors Pub Quiz with Treehouse Quizzes
  • AND Story themed CAKE CLUB!

AND MANY MORE TO BE ANNOUNCED!

I’m really excited to  be running my first Writing for Wellness Workshop, following on from my studies in Creative Writing for Therapeutic Purposes at the Metanoia Institute. It should be a thoroughly creative week of events, workshops, classes and talks, as well as first class performances!

 

GET EXCITED!

 

 

 

 

 

 

 

 

Litfest poster

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Stories, Festivals and Studying

Hey there,

Long time no write!  A little update on a few of the bits and pieces that I’m up to at the moment:

The new novel- it’s coming along painstakingly slowly, mainly because whilst I adore jumping back and forth through time and perspective, I hate the necessity of dates and detail in those jumps. Not that this is a time travel book. I’m just interested in nostalgia. Anyway, the book now has a title: Little Birds. I quite like it. 

This is a link to a piece of work by David Apps called No Birds Do Sing that inspired me, and I would absolutely love to use as the cover.

Birds are a theme, obviously.

In other news:

I’ve started an MsC in Creative Writing for Therapeutic Purposes, which is at the Metanoia Institute in Ealing- It’s brilliant and you’ll be hearing a lot more from me on the therapeutic power of writing workshops as I go along in the course. Words have so much power, not only to create, but to heal. It’s honestly amazing.

Also:

I’m setting up a Lit Fest in January at Red Door Studios where I’m the writer in residence. It’s called Words With Edge and it’s about ways of telling stories, about not fearing the isolation and disconnectedness of not being a ‘reader’, when we all have a story of value to share and express. So far, we’ve got a bunch of brilliant people on the line up- including Hollie Mcnish, and Roundhouse graduates the Early Doors Collective. The festival will run from 24th – 30th January 2014  and includes performances, workshops, exhibition, interactive installations and stalls, talks, and lots more! 

If you want to get involved, you can email wordswithedgefest@gmail.com and we’ll start tweeting on @wordswithedge soon!

 

 

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Paying for Validation: Buying Success.

 

In my post on The Thriving Creative website, I wrote that publication cannot give you validation. That’s not entirely true. What I meant, is that there is a delicate balance between self-belief and the respect of others. To have a publisher wave their magical publishing wand over you is only to tell you two things: they like what you wrote or they think you can make money. Usually, both.

I know writers who spend all their time worrying about whether or not other people like their work. These are usually in the beginning of their career, before being shot down or attacked in writing workshops beats it out of you. Some go the other way, and become so defensive of their masterpiece that they don’t think they need feedback. They know their story, and your opinion (if negative) is void. If it’s positive it just reinforces that they know better.

This is not the writer’s fault- they have responded to the pressure of their work, and unless you can find a balance, it’s hard not to become a dickhead. The problem is that validation becomes both impossible and necessary. ‘I’ve got a book deal’ can be waved in the face of anyone who ever criticised. But a book deal hardly defines quality anymore. It just defines whether something might have a chance of selling.

So what happens to that validation when we can just buy it? If we can afford to self-publish, surely we need no-one’s validation but our own. And yet, that is why self-publishing is still looked down on. If you didn’t think your work was good, you wouldn’t put it out there. If it’s affordable to ‘make’ yourself an author, then why not? Do self-published authors feel they are missing a vital element, do they feel looked down upon in literary society? Or is it the only way for them to ensure a pure vision and retain control?

I am currently working in a studio/gallery where we are considering how we put on exhibitions. Until now, artists have come to us, requested an exhibition, rented the space and done it. But is that how real galleries are run? If you are an artist, hoping to be picked for an exhibition, hoping for that validation of a confirmation, how can you get that by forking over money and just doing it yourself?

I suppose what I’m asking is ‘How do we know we’re any good, if we can buy that belief?’ Does ‘good’ always rely on other people? Or is ‘good’ more about marketing, branding, audience, timing?

To sell your validation (as a printer or a gallery space) is a dangerous thing. People enjoy throwing your name around as if you christened them a genius, and yet, all you’ve done is let them pay to have their own one-horn parade, really. So are you helping or hurting?

I haven’t got any answers here, I’m just assuming that a shortlist exists for a reason, and that rejection makes character, and that something earned instead of bought, will reap more rewards. What do you think?