Okay, here goes:
What Am I Working On?
I’m currently working on my next novel for Carina UK. It’s a snarky romantic comedy, focused around a woman named Tigerlily James (I love my strange names!) and how she deals with how static her life is. She and her friends have The Misery Dinner once a month where they moan about their lives, but she’s tired of being miserable. Cue love interest, the return of strange friends, terrible exes and lots of shenanigans and navel gazing. At the moment the working title is The Young and Bitter Club, but it might be changing to Unstuck.
How Does My Work Differ from Others of its Genre?
Well, I’m trying to make sure it’s not just a romance story. I like there to be a journey of discovery, something positive in the female characters that comes from them and not their love interest. It has to be about the timing, and realisations, and love, all coming together to move them forward. I find that really inspiring in the work of Sarra Manning and Mhairi Mcfarlane, where it’s not just chick lit, it’s an emotional realisation in the mind of the character.
Why Do I Write What I Do?
Well, the first book I wrote was a coming of age drama, and the novel I was working on before I got the call from the publisher was literary fiction. So I’m not going to limit myself to one genre. I’ve also got a few YA novels and a kids book up my sleeve. But at the moment, I love writing chick lit. It’s fun, less taxing, and you get to design the dream love interest and make other people fall in love with them. It’s pretty much like day-dreaming, at least until the hard work of actually writing the thing comes into action. I’d never really visualised myself writing romance, if anything, my first novel was described as ‘a romance trying to be an anti-romance’. I don’t like fluff, I like attraction, and sarcastic comments, attraction and wit. Some handsome guy turning up with roses is not a romantic hero for me. So getting to play with that is pretty cool.
How Does My Writing Process Work?
Well, I start with the idea, which changes over and over again. Last week, over the course of two days I changed the names of three characters, the visuals of the love interest, the back story, and a whole bunch of other stuff! And once that happens, it starts to click. I write fragments in my notebook, and I’m now onto typing up fragments on my laptop. Nothing in order, nothing necessarily structured or even important, I’m just exploring. When I’ve got enough, I’ll print them out, arrange them, look for what I’m missing, and start typing it all up in order, adding in as I go.
When I first start, I’m writing to discover, which is why things change. I’m allowing for adaptations, realisations, character development. Then comes the typing up, changing, and about five rounds of editing!
All of that seems so far off right now! But I’m chugging away at it so it’s ready for deadline on the 1st May. Terrifying.
Next Week: The Blog Hop moves on to two brilliant writers and creatives:
Louise Davidson is a writer, free-lance script-reader, dramaturg and PR executive. She graduated from the University of East Anglia and has worked in theatre for the last four years, doing everything from directing to ushering. She has acted as Assistant to the Director on shows such as Uncle Vanya at the Lyric Theatre and Land of Giants as part of the Cultural Olympiad and is a script-reader for Tinderbox Theatre Co. and Accidental Theatre Co. For the last year, Louise has worked in PR, specialising in Arts Marketing and PR. She has written two plays, various flash fiction, and is currently working on a novel.
Check out her entry here